Der Cellrepair Deo Roll On von SBT Sensitive Biology Therapy bietet mit zartem Duft zuverlässigen, absolut unsichtbaren und streifenfreien Schutz für bis zu 48 Stunden und ist ein wahres Multitalent: Nach der Rasur beruhigen ausgewählte Inhaltsstoffe die empfindliche Haut unter den Achseln, während der exklusive Komplex Cell Life Youther die natürliche Zellregeneration stimuliert. Rötungen und Irritationen werden reduziert, die Haut erlangt Ihr natürliches Gleichgewicht zurück. Frei von Parabenen, Alkohol und Aluminium Chlorhydrat.
Fragile Deo Roll-on mit Provitamin B5 48h-Wirkung für streichelzarte, makellose Achseln - Glatte, ebenmäßige, perfekte Achseln, ohne Irritationen.- Cell Life Serum bietet effektiven Schutz und agiert gemeinsam mit der Haut, um die Zellregeneration für weiche, streichelzarte Haut zu beschleunigen.- Ohne Aluminium Chlorhydrat, Alkohol oder Parabene- Hypoallergen- zarter Duft - floral & frisch
Streifenfreies und unsichtbares Deodorant - sicherer Schutz, sanft zur Haut - 48h getestete Wirksamkeit - Beruhigt die äußerst empfindliche Haut unter den Achseln, - sensible Haut wird nach der Haarentfernung regeneriert, - irritierte und gerötete Haut wird wieder ins Gleichgewicht gebracht. - Cell Life Youther bietet effektiven Schutz und agiert gemeinsam mit der Haut, um die Zellregeneration für weiche, streichelzarte Haut zu beschleunigen - Ohne Aluminium Chlorhydrat, Alkohol oder Parabene - Zarter Duft
In Cubist, you and your opponents are architects competing to build a grand and inspiring new Modern Art Museum including its interior sculptures or installations. Aptly enough, your building materials are cubes, or more precisely, dice!On each turn, you roll two dice and place them in your studio as raw materials for your cubist sculptures. From there, you position these dice to complete point-coring commissioned installations for the museum. Dice with identical numbers can be stacked on top of one another to give your sculpture elevation and grandeur. Dice with adjacent numbers go next to each other, constructing unconventional footprints of modernism. You can press your luck by committing to a certain risky commissionhoping that no one else will complete it firstor play it safe by locking up your dice for later use.You can also use your dice to enlist aid from masters of modern art like Juan Gris, Franz Marc and Olga Rozanova. Each installation you complete allows you to contribute scoring dice to the building of the Museum itself. The game ends when either one player has completed five installations or when the museum is completed. You will have to sculpt cleverly but quickly to get the new Museum named after you!
The Wunder Audio CM7 Tube Microphone comes with the original large-style U47 transformer that was used in the earlier U47´s, including the legendary Large Badge U47. These first couple of hundred U47´s are very sought after sonically.The CM7 transformer´s larger size and high nickel content achieves better low end rolling off at 20 Hz, identical to the original U47 design, instead of 40 Hz. The smaller 40 Hz transformer that was used in later versions of the U47 was made with the 40 Hz roll-off as a requirement for the IRT (German Broadcasting Network). In modern day recording this capability to capture the low end frequencies is essential.Package includes: CM7, Plush Oak Box, Historical Shock Mount, Newly Designed Wunder Audio Power Supply, Original large Tuchel connected mic cable, Tweed Carrying Case. Comes standard with the M7 capsule.
Six billion identical clones make up the entire population of Earth, and William 790-6 (57th Iteration) is exactly like everybody else. In his one year of life he will toil in suburban mediocrity and spend as much cash as possible in order to please his corporate masters. When 790´s first birthday (and scheduled execution) finally rolls around, a freak accident spares his life. Living past his expiration date changes 790 profoundly. Unlike other clones he becomes capable of questioning the futility of his own existence. Seeking answers in the wilderness, he discovers a windmill with some very strange occupants, including a freakish, dinosaur-like monstrosity. Which is especially strange since every animal on earth is supposed to be extinct... Dark, haunting, and blisteringly satirical, Billy and the Cloneasaurus is the story of one ´´man´s´´ attempt to finally become an individual in a world of copies. 1. Language: English. Narrator: Steve Rimpici. Audio sample: http://samples.audible.de/bk/acx0/082676/bk_acx0_082676_sample.mp3. Digital audiobook in aax.
Why is it that we react to the world the way we do, not only in ways similar to other people, but in ways often dramatically different, as well, no matter which of our senses is involved? And how is it that the physically adventurous young person you remember being - whose greatest passion was riding the scariest roller coaster imaginable - somehow grew into an adult whose stomach begins to churn nervously at even the thought of such a ride? The answer, of course, is that each of us - whether a different person or a more recent model of ourselves - isn´t reacting to the same world at all. For though the physical world we occupy may be identical, the reality we experience is very different. The truth is, our various sensory systems can be altered over time, their acuity changing in response to aging or injury, life experiences, evolving personalities, and other factors. And in this series of 24 fascinating lectures, an acclaimed teacher and psychologist gives you a bio-psychological perspective on both the way we humans navigate and react to the world around us and an understanding of the ways in which that process is ever-changing. Rich in science, potent examples, and anecdotes, the lectures explore subjects like how we see, hear, smell, taste, or touch; keep our balance, and understand exactly where we are in space. You´ll learn about motor memory, the ways in which our bodies process pain, and even why our taste in food changes over time. Whether exploring the complex structures of the brain or inner ear, or using humorous personal stories to illustrate a point, Professor Colavita delivers a course that informs, entertains, and even prepares us for the changes that lie ahead. PLEASE NOTE: When you purchase this title, the accompanying reference material will be available in your Library section along with the audio. 1. Language: English. Narrator: Francis B. Colavita. Audio sample: http://samples.audible.de/bk/tcco/000267/bk_tcco_000267_sample.mp3. Digital audiobook in aax.
This second Gothic novel in the dark Mirror Sisters trilogy continues the tale of sisterly love at its absolute worst - from the legendary New York Times best-selling author of Flowers in the Attic and the My Sweet Audrina series (now Lifetime movies). For fans of Ruth Ware (In a Dark, Dark Wood) and Liane Moriarty (The Husband´s Secret). Sisters until the end... Which may come sooner than they think. Under their mother´s watchful eye, identical twins Haylee and Kaylee Fitzgerald have lived their entire lives in sync. Never alone, never apart, everything about them must be exactly the same: clothes, friends, punishments. One night, in the darkness of a movie theater, Haylee reveals that she´s leaving to meet up with someone she knows from online. But suddenly feeling ill, and not wanting to disappoint this older man, she convinces Kaylee to go in her stead. He´ll never know, and this way he won´t think she stood him up. Kaylee reluctantly agrees to go, but when the credits roll and she´s nowhere to be found, Haylee confesses everything to her mom. With the manhunt on, Haylee knows everything must be done to find her sister. Still, for the first time in her life, she´s free from her twin, which, really, isn´t so bad...is it? 1. Language: English. Narrator: Rebekkah Ross. Audio sample: http://samples.audible.de/bk/sans/007794/bk_sans_007794_sample.mp3. Digital audiobook in aax.
The Phoenix Audio DRS-EQ/500 is a mono 4 band EQ for the API 500 series, it was designed to be identical in terms of features and sonics as the other Phoenix products in our range, and the EQ circuit is found in the DRSQ4M mk2 but in a new exciting format.The Gyrator EQ circuit was designed around 40 years ago and was originally designed to emulate the characteristics of a coil or inductor EQ circuit without the issues that they can cause, the result is that our EQ circuit found in the DRSQ4M mk2 is a very powerful but musical EQ perfect for sculpting or crafting vocals, drums or instruments etc whilst still being able to be used on mix bus duties.The unit runs at 24v thanks due to the special power supply built into the unit so it offers no sonic sacrifices whilst still maintaining a very low current use needed for the API format and is well within its API VPR limits and has been approved by API.Specifications • Class A (DSOP-2) Output specs. Frequency response: 20Hz to 20kHz +- 0.5dB • Maximum Output Level: +26dBu @ 1kHz • Noise: -90dB @ 20Hz to 20kHz. • Phoenix Audio’s unique Class A, buffer DSblip stage. • Input level range: -10dBu to +10dBu • Self-contained on-board ´´boost” PSU. • Gain Meter: LED Metering. (Green = -2dB, +4dbu & +10dbu Yellow = +13dB, Red = +16dbu. • High Pass Filter: Roll-off starts at 80Hz @ 12dB per Octave. • Gyratory-based EQ Frequency Centres: (4 Bands) High – 15K, 10K, Hi Mid – 6K, 3K, 1K6, Low Mid – 800Hz, 400Hz, 200Hz, Low – 130Hz, 80Hz, 40Hz • EQ Cut/Boost Levels: 16dB Cut/Boost Per Band, all EQ bands are stepped/detented to 21 positions for easy recall & stereo operations for mastering or the mix bus. • DRS-EQ/500 has an overall output level with 15db of additional gain even when the EQ is in bypass, allows the output fader to be used to drive the output stage & transformer to colour & saturate your sound, again even when the EQ is in bypass.
The condenser microphone M 221 unifies universal small diaphragm capsule technology with a metal diaphragm and a modular preamplifier. The use of a certificated measurement capsule combined with a preamplifier with 48 V phantom powering reaches a constant magnitude and phase response and transmission properties which are long-term stable. Application Because of the small capsule dimensions the M 221 is ideally suited for applications where a low interference with the sound field is demanded. It is usable as a main microphone for recordings which should include a certain amount of the room response. As well the M 221 is suited as a spot microphone for recording instruments very close where the low frequencies should be transmitted in detail and original.Moreover it can be used for multichannel main microphone arrangements like AB stereophony or decca tree. For these applications the microphone is ideal because of its precise and long-time stable transmission properties. The M 221 has an excellent transient response because of the pressure transducer capsule and is really suitable to record instruments with extreme transients. With the both different sized spherical corpuses a high frequency accentuation can be produced in an acoustical way to increase the presence and to compensate the high frequency roll-off in the diffuse sound field.The M 221 can operate also in unfavorable climate conditions especially referring the temperature and air humidity for which the accessory humidity adaptor TA 202 is purchasable.Acoustical Specifications The pick-up pattern is equivalent to the longitudinal direction of the microphone. As sound transducer a condenser capsule with a diameter of 12,5 mm and a very thin metal diaphragm is used. The pressure transducer capsule exhibits an omni-directional polar pattern without proximity effect. Because of the free field equalization the M 221 has a constant frequency response from 3,5 Hz up to 20 kHz (± 2 dB). The static pressure equalization between the capsule interior and the atmosphere goes through a vent to the preamplifier. Therefore the humidity adaptor TA 202 is usable to protect the microphone in application with high air humidity. The use of the M 221 with the spherical corpus KA 3 effects a frequency response accentuation which begins at approximately 1 kHz and goes constant at 3 dB from approximately 4 kHz up to 12 kHz. With the spherical corpus KA 4 the accentuation of the high frequencies starts also at approximately 1 kHz and goes constant at 3 dB between 3 kHz and 12 kHz. Electrical Specifications The transformerless circuit design of the electronic impedance converter with symmetrical output facilitates an output capability for sound pressures from15 dB(A) up to 136 dB with a maximum of 0,5 % THD (total harmonic distortion). The microphone is connected by a standard 3-pin XLR-male plug with gold-plated pins which realizes the powering by an external 48 V phantom supply according to IEC 61938 with a current consumption of 6 mA. Mechanical Specifications The M 221 consists of a microphone capsule and a microphone preamplifier as independent mechanic parts which are connected to a complete microphone through a screw thread. Microphone capsule and microphone preamplifier have an identical overall diameter of 12,7 mm which enlarges to 21 mm over the length of the microphone preamplifier to the connection side of the microphone. The shape of this enlargement is designed for a minimum interference with the sound field. Microphone capsule and microphone preamplifier have together a length of 170,4 mm. On the connection side of the M 221 there are standard microphone holders mountable. To reach a higher attenuation against solid-born sound and impulses there are elastic holders and suspensions usable. The weight of the M 221 is 123 g what allows to use the microphone with stand mountings as well as to hang up the microphone from the ceiling without any problems.FEATURES- Small diaphragm capsule- Metal diaphragm- Pressure transducer- Free field equalization- Transformerless